"Suite española No. 1, Op. 47: Cuba (Capricho)" by Isaac Albéniz, Alicia de Larrocha was released on February 19, 1988. With this song being about 5 minutes long, at 5:23, "Suite española No. 1, Op. 47: Cuba (Capricho)" by Isaac Albéniz, Alicia de Larrocha is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 21 in Albéniz: Ibéria; Navarra; Suite Española by Isaac Albéniz, Alicia de Larrocha. Suite española No. 1, Op. 47: Cuba (Capricho) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite española No. 1, Op. 47: Cuba (Capricho) by Isaac Albéniz, Alicia de Larrocha is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Etude In C Sharp Minor, Op.2, No.1 | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 0 | 12A | 76 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Lieder ohne Worte, Op.102: No. 1. Andante un poco agitato in E minor, MWV U 162 | Felix Mendelssohn, Daniel Barenboim | E Minor | 0 | 9A | 52 BPM | ||
Sonata In D Major, Kk.119: Allegro | Domenico Scarlatti, Ivo Pogorelich | D Major | 1 | 10B | 126 BPM | ||
6 Etudes d'exécution transcendante d'après Paganini, S.140: 4. Arpeggio | Franz Liszt, Nikita Magaloff | E Major | 1 | 12B | 78 BPM |
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