Franz Liszt, Nikita Magaloff made "6 Etudes d'exécution transcendante d'après Paganini, S.140: 4. Arpeggio" available on January 1, 1997. The duration of 6 Etudes d'exécution transcendante d'après Paganini, S.140: 4. Arpeggio is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. 6 Etudes d'exécution transcendante d'après Paganini, S.140: 4. Arpeggio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Liszt, Claudio Arrau, Nikita Magaloff's "Liszt: The Complete Etudes" album is number 9 out of 23. 6 Etudes d'exécution transcendante d'après Paganini, S.140: 4. Arpeggio is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of 6 Etudes d'exécution transcendante d'après Paganini, S.140: 4. Arpeggio by Franz Liszt, Nikita Magaloff to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in C Minor, Op. 50: III. Divertimento. Allegro risoluto e molto vivace | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | G Major | 1 | 9B | 102 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
7 Canciones populares españolas: No. 5, Nana (Arr. Halffter) | Manuel de Falla, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Piano Sonata No. 7 in B-Flat Major, Op. 83: I. Allegro inquieto | Sergei Prokofiev, Matti Raekallio | C Major | 2 | 8B | 168 BPM | ||
Sonatina in F Major, Op. 36 No. 4: III. Rondeau. Allegro vivace | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 105 BPM | ||
Piano Sonata No. 11 in A Major, K. 331: Ia. Theme. Andante grazioso | Wolfgang Amadeus Mozart, Angela Hewitt | A Major | 0 | 11B | 74 BPM | ||
24 Preludes, Op. 34: No. 8 in F-Sharp Minor. Allegretto | Dmitri Shostakovich, Tatiana Nikolayeva | D♭ Minor | 1 | 12A | 110 BPM | ||
Piano Concerto No.1 In G Minor, Op.25, MWV O7: 2. Andante | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | A Major | 2 | 11B | 103 BPM | ||
Brahms: 6 Klavierstücke, Op. 118: No. 1, Intermezzo in A Minor | Johannes Brahms, Nicholas Angelich | A Minor | 2 | 8A | 104 BPM | ||
Dolly, Op. 56: 4. Kitty-Valse | Gabriel Fauré, Alfons Kontarsky, Aloys Kontarsky | D♭ Major | 1 | 3B | 73 BPM |
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