"Etude In C Sharp Minor, Op.2, No.1" by Alexander Scriabin, Vladimir Horowitz was released on January 1, 1985. The duration of Etude In C Sharp Minor, Op.2, No.1 is about 3 minutes long, at 3:06. Based on our data, "Etude In C Sharp Minor, Op.2, No.1" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vladimir Horowitz - The Last Romantic by Vladimir Horowitz. The song's track number on the album is #11 out of 13 tracks. Etude In C Sharp Minor, Op.2, No.1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Etude In C Sharp Minor, Op.2, No.1 by Alexander Scriabin, Vladimir Horowitz has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Etude In C Sharp Minor, Op.2, No.1 being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Le maître et l'élève, Op. 96: No. 2, Moment musical | Moritz Moszkowski, Antony Gray, Nickush Bhudia | F Minor | 1 | 4A | 100 BPM | ||
Intermezzo in B-Flat Minor, Op. 117/2 | Johannes Brahms, Khatia Buniatishvili | D♭ Major | 0 | 3B | 67 BPM | ||
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | ||
Debussy: Preludes, Book 1, L. 117: II. Voiles | Claude Debussy, Fazıl Say | E♭ Major | 0 | 5B | 133 BPM | ||
Nocturne No. 9 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 56 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
Images I, L. 110: 2. Hommage à Rameau | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 69 BPM |
Section: 0.627082109451294
End: 0.6308639049530029