"Carmen Fantasie: Prélude - Habanera" by Georges Bizet, Luka Faulisi was released on March 3, 2023. The duration of Carmen Fantasie: Prélude - Habanera is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Carmen Fantasie: Prélude - Habanera's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 20 in Aria by Luka Faulisi. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Carmen Fantasie: Prélude - Habanera is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmen Fantasie: Prélude - Habanera by Georges Bizet, Luka Faulisi is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Larghetto (after Concerto for 4 Violins and Cello in B Minor, Op. 3, No. 10 / RV 580, arr. for Baroque Ensemble by Wolfgang Katschner) | Antonio Vivaldi, Lautten Compagney, Wolfgang Katschner | D Major | 1 | 10B | 112 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
2 Mélodies, Op.3: II. Andante (Arr. for Cello and Piano) | Anton Rubinstein, Raphaela Gromes, Julian Riem | B Major | 1 | 1B | 102 BPM | ||
Suite - Valse et Comptine - from "Le fabuleux destin d'Amélie Poulain" | Yann Tiersen, Jean-Michel Bernard | A Minor | 1 | 8A | 116 BPM | ||
Habanera "L'amour est un oiseau rebelle" (From Carmen, WD 31) | Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier | D Major | 0 | 10B | 127 BPM | ||
Théâtre du Châtelet | Jordan Cauvin, Thibault Cauvin | G Major | 3 | 9B | 123 BPM | ||
Poetic Entity - Solo Piano Version | Piano Novel | F Minor | 3 | 4A | 141 BPM | ||
Music for a While (from Oedipus, Z. 583) | Henry Purcell, Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
Someday My Prince Will Come - Cello-Piano Version | Raphaela Gromes, Julian Riem | F Major | 2 | 7B | 93 BPM | ||
Mother Shoots | Hannes De Maeyer | A Minor | 1 | 8A | 87 BPM |
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