"2 Mélodies, Op.3: II. Andante (Arr. for Cello and Piano)" by Anton Rubinstein, Raphaela Gromes, Julian Riem was released on April 23, 2021. The duration of 2 Mélodies, Op.3: II. Andante (Arr. for Cello and Piano) is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. 2 Mélodies, Op.3: II. Andante (Arr. for Cello and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 2 Mélodies, Op.3: II. Andante (Arr. for Cello and Piano), so we believe that this song is a single. In terms of popularity, 2 Mélodies, Op.3: II. Andante (Arr. for Cello and Piano) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 Mélodies, Op.3: II. Andante (Arr. for Cello and Piano) by Anton Rubinstein, Raphaela Gromes, Julian Riem is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Premières valses: V. A l'ombre rêveuse de Chopin | Reynaldo Hahn, Eric Le Sage | G Major | 0 | 9B | 114 BPM | ||
Ma Mère l'Oye, M. 60: IV. Les entretiens des la Belle et de la Bête (Arr. for Piano Trio by Julian Riem) | Maurice Ravel, Raphaela Gromes, Julian Riem, Daniel Dodds | C Major | 0 | 8B | 82 BPM | ||
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
The Sleeping Beauty, Op. 66, Act 1, No. 6: Waltz (Arr. for Piano Trio by Julian Riem) | Pyotr Ilyich Tchaikovsky, Raphaela Gromes, Julian Riem, Daniel Dodds | B♭ Major | 2 | 6B | 58 BPM | ||
Schlafe, mein Prinzchen, schlaf ein - Wiegenlied - Arr. for Two Cellos | Bernhard Flies, Mr & Mrs Cello | F Major | 0 | 7B | 83 BPM | ||
Chopin / Arr. Liszt: 6 Polish Songs, S. 480: II. Frühling (After Chopin Op. 74 No. 2) | Franz Liszt, Frédéric Chopin, Mariam Batsashvili | G Minor | 0 | 6A | 65 BPM | ||
The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
Pavane, Op. 50 (Arr. for Violin, Cello and Piano by Ehsan Mohagheghi Fard) | Gabriel Fauré, Eldbjørg Hemsing, Raphaela Gromes, Håvard Gimse | D Major | 2 | 10B | 81 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
2 Melodies, Op. 3: No. 1 in F Major | Anton Rubinstein, Schwanen Salon Orchestra, Georg Huber | F Major | 1 | 7B | 78 BPM |
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