"Victimae Paschali Laudes" by Johann Joseph Fux, David Cordier, Drew Minter, Johannes Chum, Klaus Mertens, Wiener Vocalensemble, Vienna Academy Orchestra, Martin Haselböck was released on January 1, 1997. Victimae Paschali Laudes is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. The song is number 1 out of 11 in Fux: Missa Corporis Christi / Motets by Johann Joseph Fux, Martin Haselböck. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Victimae Paschali Laudes is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Victimae Paschali Laudes by Johann Joseph Fux, David Cordier, Drew Minter, Johannes Chum, Klaus Mertens, Wiener Vocalensemble, Vienna Academy Orchestra, Martin Haselböck is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Little Consort in Two Parts for Severall Friends in C minor-major: III. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concentus musico-instrumentalis: No. 6. Ouverture a 4: I. Grave - Allegro - Grave | Johann Joseph Fux, Clemencic Consort | D Minor | 3 | 7A | 116 BPM | ||
King Arthur, Z. 628, Act II: No. 10, Introduction | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | D♭ Minor | 1 | 12A | 67 BPM | ||
Stabat Mater in F Minor, RV 621: No. 2., Cuius animam gementem | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | B Minor | 1 | 10A | 113 BPM | ||
Sinfonia in B-Flat Major, K. 353: IV. Menuet | Johann Joseph Fux, Neue Hofkapelle Graz, Lucia Froihofer | A Major | 1 | 11B | 102 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Nisi Dominus, RV 608: III. Surgite | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM |
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