Jaap Ter Linden, Rémy Baudet, Arcangelo Corelli, Mike Fentross, Pieter-Jan Belder made "Sonate A Violino E Violoncello O Cimbalo Opus V , Part 2, Sonate 7 In D Minor: Preludio, Vivace" available on December 20, 2006. With Sonate A Violino E Violoncello O Cimbalo Opus V , Part 2, Sonate 7 In D Minor: Preludio, Vivace being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 23 in Corelli, Complete Works Part: 8 by Jaap Ter Linden. In terms of popularity, Sonate A Violino E Violoncello O Cimbalo Opus V , Part 2, Sonate 7 In D Minor: Preludio, Vivace is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonate A Violino E Violoncello O Cimbalo Opus V , Part 2, Sonate 7 In D Minor: Preludio, Vivace by Jaap Ter Linden, Rémy Baudet, Arcangelo Corelli, Mike Fentross, Pieter-Jan Belder is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in C Minor, QV 5:38: I. Allegro | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Minor | 2 | 3A | 96 BPM | ||
Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 2 | 4B | 119 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Dialogue | Louis Couperin, London Baroque | B Major | 2 | 1B | 101 BPM | ||
Sonata No. 2 in F Major, RV 41, Op. 14: IV. Allegro | Antonio Vivaldi, Jaap Ter Linden, Lars Ulrik Mortensen, Judith-Maria Becker | B Major | 2 | 1B | 102 BPM | ||
Sonata II In G Minor: VIII. Borea (Alla Breve) (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 3 | 11A | 108 BPM | ||
Flute Sonata in E Minor: III. Presto | Frederick the Great, Berliner Barock Compagney | A♭ Minor | 1 | 1A | 128 BPM | ||
Suite No. 1 in G Major, BWV 1007: VI. Gigue | Johann Sebastian Bach, Jaap Ter Linden | F♯ Major | 0 | 2B | 132 BPM | ||
Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: I. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | C Major | 3 | 8B | 105 BPM | ||
Concerto in F Major, S. 235: 1. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 125 BPM |
Section: 0.8573505878448486
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