- BPM
- 86
- Key
- F Major
- Camelot
- 7B
King Lear Op. 58a - 1941 Production: The Fool's ten songs - March - City Of Birmingham Symphony Orchestra, Sir Mark Elder Information
- Acousticness
- 95%
- Danceability
- 45%
- Energy
- 14%
- Instrumentalness
- 97%
- Liveness
- 12%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 22%
- Popularity
- 0%
- Loudness
- -19.996 dB
Summary
City Of Birmingham Symphony Orchestra, Sir Mark Elder's 'King Lear Op. 58a - 1941 Production: The Fool's ten songs - March' came out on June 28, 2005. The duration of King Lear Op. 58a - 1941 Production: The Fool's ten songs - March is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. King Lear Op. 58a - 1941 Production: The Fool's ten songs - March's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #44. King Lear Op. 58a - 1941 Production: The Fool's ten songs - March is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
King Lear Op. 58a - 1941 Production: The Fool's ten songs - March BPM
With King Lear Op. 58a - 1941 Production: The Fool's ten songs - March by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
King Lear Op. 58a - 1941 Production: The Fool's ten songs - March Key
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto No. 4 in G Minor: II. Largo | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | C Minor | 1 | 5A | 180 BPM | |
 | Mahler: Symphony No. 7 in E Minor: III. Scherzo | Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | B♭ Major | 0 | 6B | 179 BPM | |
 | Mahler: Symphony No. 2 in C Minor "Resurrection": V. (f) Etwas bewegter. "O glaube, mein Herz !" | Gustav Mahler, Sir Simon Rattle, Arleen Auger, City of Birmingham Symphony Chorus, Dame Janet Baker, City Of Birmingham Symphony Orchestra | F Minor | 0 | 4A | 89 BPM | |
 | Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | |
 | Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Stephen Hough, Sakari Oramo, City Of Birmingham Symphony Orchestra | C Major | 3 | 8B | 78 BPM | |
 | Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | |
 | Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | |
 | Hypothetically Murdered (1931) Orchestral Suite Op. 31A: Act III - Waltz | Dmitri Shostakovich, City Of Birmingham Symphony Orchestra, Sir Mark Elder | F Major | 0 | 7B | 115 BPM | |
 | Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7156362533569336
End: 0.7202372550964355