"Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live" by Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski was released on January 1, 2005. The duration of Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Rameau: Une symphonie imaginaire". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. In terms of popularity, Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live by Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Orfeo ed Euridice, Wq. 30 / Acte III: Air: J'ai perdu mon Euridice - Live | Christoph Willibald Gluck, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | B Major | 2 | 1B | 91 BPM | ||
Adagio for Strings and Organ in G minor | Remo Giazotto, Maria Teresa Garatti, I Musici | C Minor | 1 | 5A | 111 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | G Major | 0 | 9B | 72 BPM | ||
Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | ||
Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 1 | 8B | 74 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen | Robert Schumann, Vladimir Horowitz | G Major | 0 | 9B | 70 BPM | ||
Porpora: Polifemo, HelN 31, Act 3: "Alto Giove" (Aci) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E♭ Minor | 0 | 2A | 78 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM |
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