"Gershwin: Second Rhapsody for Two Pianos "Rhapsody in Rivets": Allegro - Poco meno -" by George Gershwin, Katia Labèque, Marielle Labèque was released on 1988. Since Gershwin: Second Rhapsody for Two Pianos "Rhapsody in Rivets": Allegro - Poco meno - is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Gershwin, Katia Labèque, Marielle Labèque's "Gershwin: Music for Two Pianos" album is number 1 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Gershwin: Second Rhapsody for Two Pianos "Rhapsody in Rivets": Allegro - Poco meno -'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Gershwin: Second Rhapsody for Two Pianos "Rhapsody in Rivets": Allegro - Poco meno - by George Gershwin, Katia Labèque, Marielle Labèque to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danzas Argentinas, Op. 2: 2. Danza de la moza donosa | Alberto Ginastera, Lang Lang | A Minor | 0 | 8A | 134 BPM | ||
I Can Give You the Starlight (From "The Dancing Years") [Arr. S. Mulligan for Piano] | Ivor Novello, Simon Mulligan | D Minor | 0 | 7A | 70 BPM | ||
Solo de concours, Op. 10 | Henri Rabaud, Michael Collins, Michael McHale | F Major | 0 | 7B | 83 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 93 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Saint-Saëns / Arr. Nakariakov for Trumpet and Orchestra: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra | A Minor | 2 | 8A | 86 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
Carmen Suite No. 1: Intermezzo. Andantino quasi Allegretto (Prelude to Act III) | Georges Bizet, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 137 BPM | ||
Girl Crazy (Arr. For Trumpet And Piano): But Not For Me | Peter Breiner, Juray Bartos, George Gershwin | B♭ Major | 1 | 6B | 141 BPM |
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