Camille Saint-Saëns, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra's 'Saint-Saëns / Arr. Nakariakov for Trumpet and Orchestra: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28' had a release date set for January 1, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "No Limit". In this album, this song's track order is #1. Saint-Saëns / Arr. Nakariakov for Trumpet and Orchestra: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Saint-Saëns / Arr. Nakariakov for Trumpet and Orchestra: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 by Camille Saint-Saëns, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aria | Eugène Bozza, Koryun Asatryan, Eun Bae Jang | G Minor | 0 | 6A | 69 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 1 | 6A | 101 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Trio for Oboe, Bassoon and Piano: 1. Presto | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | E Major | 1 | 12B | 96 BPM | ||
Fedora / Act 2: Intermezzo | Umberto Giordano, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 123 BPM | ||
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM |