"I. Consort Set A 5 In G Minor: Fantazya - A 5 (Lawes)" by William Lawes, Jordi Savall, Hespèrion XXI was released on January 1, 2002. The duration of I. Consort Set A 5 In G Minor: Fantazya - A 5 (Lawes) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. I. Consort Set A 5 In G Minor: Fantazya - A 5 (Lawes)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of William Lawes: Consort Sets In Five & Six Parts by William Lawes, Jordi Savall, Hespèrion XXI. The song's track number on the album is #1 out of 33 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. Based on our statistics, I. Consort Set A 5 In G Minor: Fantazya - A 5 (Lawes)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since I. Consort Set A 5 In G Minor: Fantazya - A 5 (Lawes) by William Lawes, Jordi Savall, Hespèrion XXI has a tempo of 146 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With I. Consort Set A 5 In G Minor: Fantazya - A 5 (Lawes) being at 146 BPM, the half-time would be 73 BPM with a double-time of 292 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
The music key of this track is F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pour une bergere infidelle | Bertrand de Bacilly, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot | F♯ Minor | 1 | 11A | 86 BPM | ||
Sonata for Recorder and Continuo in D Minor: III. Allegro | James Paisible, Tamar Lalo, La Ritirata, Josetxu Obregon | C Major | 4 | 8B | 95 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Violin Sonata No. 2 in Dorian Mode, C. 139: II. Aria | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Chamber Sonata No. 3 in D Major: VI. Aria affettuoso | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Major | 1 | 10B | 100 BPM | ||
Noel Symphony No. 4 in D Minor: II. Allegro | Michel Corrette, Arion Trio | A Minor | 1 | 8A | 174 BPM | ||
The Gordion Knot Unty'd, Z. 597: Second Music II: Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 49 BPM | ||
Lagrimosa beltà | Giovanni Felice Sances, The King's Noyse | A Major | 3 | 11B | 58 BPM | ||
La Noce Champêtre ou L'Himen Pastoral: IV. Menuet 1 & 2, Contredanse, Cotillon | Jean Hotteterre, Dorothee Oberlinger | B Major | 2 | 1B | 117 BPM | ||
Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prélude | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM |
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