- BPM
- 119
- Key
- D Major
- Camelot
- 10B
I Puritani / Act 1: All'erta! All'erta! L'alba appari - Vincenzo Bellini, Renato Cazzaniga, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge Information
- Acousticness
- 97%
- Danceability
- 32%
- Energy
- 21%
- Instrumentalness
- 75%
- Liveness
- 15%
- Loudness
- 73%
- Speechiness
- 5%
- Valence
- 21%
- Popularity
- 12%
- Loudness
- -16.027 dB
Summary
Vincenzo Bellini, Renato Cazzaniga, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge's 'I Puritani / Act 1: All'erta! All'erta! L'alba appari' came out on January 1, 1975. Since I Puritani / Act 1: All'erta! All'erta! L'alba appari is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 26 in Bellini: I Puritani by Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Piero Cappuccilli, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge. In terms of popularity, I Puritani / Act 1: All'erta! All'erta! L'alba appari is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
I Puritani / Act 1: All'erta! All'erta! L'alba appari BPM
The tempo marking of I Puritani / Act 1: All'erta! All'erta! L'alba appari by Vincenzo Bellini, Renato Cazzaniga, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
I Puritani / Act 1: All'erta! All'erta! L'alba appari Key
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Il Trovatore / Act 2: "Il balen del suo sorriso...Qual suono! o ciel!" | Giuseppe Verdi, Ingvar Wixell, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 94 BPM | |
 | Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | |
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 | Swan Lake, Op. 20, TH.12 / Act 1: No. 7 Sujet | Pyotr Ilyich Tchaikovsky, National Philharmonic Orchestra, Richard Bonynge | E Major | 0 | 12B | 72 BPM | |
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 | Rigoletto / Act 2: "Possente amor" | Giuseppe Verdi, Luciano Pavarotti, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | D Major | 4 | 10B | 135 BPM | |
 | Verdi: Aida, Act 2: "O Re, pei sacri numi" (Radamès, Il Re, Amneris, Sacerdoti, Popolo, Ramfis) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | F♯ Major | 2 | 2B | 87 BPM | |
 | Daphne, Op. 82, TrV 272: "Ich komme, ich komme" | Richard Strauss, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | E♭ Major | 0 | 5B | 135 BPM | |
 | Tannhäuser - Paris version / Act I: "Naht euch dem Strande" (Venusberg Music) | Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli | E Major | 1 | 12B | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.1313810348510742
End: 1.137300729751587