Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers's 'Liebeslieder-Walzer, Op. 52: No. 5, Die grüne Hopfenranke' came out on November 4, 2022. With Liebeslieder-Walzer, Op. 52: No. 5, Die grüne Hopfenranke being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 38 in Brahms: Complete Liebeslieder Walzer, Op. 52 & 65, Hungarian Dances by Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Liebeslieder-Walzer, Op. 52: No. 5, Die grüne Hopfenranke is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Liebeslieder-Walzer, Op. 52: No. 5, Die grüne Hopfenranke by Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Maria João Pires | F Major | 0 | 7B | 73 BPM | ||
Rhapsody for Alto, Chorus, and Orchestra, Op. 53 | Johannes Brahms, Jard van Nes, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | C Major | 0 | 8B | 177 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 4 in D Major | Sergei Rachmaninoff, Nikolai Lugansky | D Major | 0 | 10B | 78 BPM | ||
Symphony No. 3 in F Major, Op. 90 (version for piano 4 hands): III. Un poco allegretto | Johannes Brahms, Christian Kohn, Silke-Thora Matthies | D Major | 0 | 10B | 115 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM |
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