"Rhapsody for Alto, Chorus, and Orchestra, Op. 53" by Johannes Brahms, Jard van Nes, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt was released on January 1, 1991. Rhapsody for Alto, Chorus, and Orchestra, Op. 53 appears to be safe for all ages as it is not explicit. The song is number 2 out of 5 in Brahms: Works for Chorus & Orchestra by Johannes Brahms, Jard van Nes, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Rhapsody for Alto, Chorus, and Orchestra, Op. 53 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rhapsody for Alto, Chorus, and Orchestra, Op. 53 by Johannes Brahms, Jard van Nes, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea | Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 86 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
The Memory Remains - Live | Metallica, San Francisco Symphony | D♭ Major | 8 | 3B | 82 BPM | ||
Elgar: Sea Pictures, Op. 37: V. The Swimmer, "With short, sharp violent lights" (Allegro molto) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 102 BPM | ||
Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6 | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 73 BPM | ||
Piano Concerto No. 1 in A Major, Sz. 83: I. Allegro moderato — Allegro | Béla Bartók, Pierre-Laurent Aimard, San Francisco Symphony, Esa-Pekka Salonen | C Major | 2 | 8B | 114 BPM | ||
Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: III. Valse (Allegro moderato) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | A Major | 0 | 11B | 132 BPM | ||
Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | ||
Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM |
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