"Hor ch'è tempo di dormire" by Tarquinio Merula, Christina Pluhar was released on March 22, 2010. Since Hor ch'è tempo di dormire is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Via Crucis by Christina Pluhar, L'Arpeggiata. The song's track number on the album is #4 out of 18 tracks. The popularity of Hor ch'è tempo di dormire is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hor ch'è tempo di dormire by Tarquinio Merula, Christina Pluhar has a tempo of 166 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Hor ch'è tempo di dormire being at 166 BPM, the half-time would be 83 BPM with a double-time of 332 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les mariniers adorent un beau jour | Didier Leblanc, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | G Major | 2 | 9B | 118 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 8, L'Ara | Tarquinio Merula, L'aura Soave Cremona | A Minor | 1 | 8A | 127 BPM | ||
Pluhar: Orfeo Chamán, Act 2: "Cubrámonos con cenizas" (Orfeo, Nahual, Aristeo) | Christina Pluhar, Nahuel Pennisi, Vincenzo Capezzuto, Emiliano Gonzalez Toro, L'Arpeggiata | G Minor | 1 | 6A | 167 BPM | ||
Falvo / Arr. Pluhar: Dicitencello vuje! | Rodolfo Falvo, Christina Pluhar, Vincenzo Capezzuto | E Minor | 0 | 9A | 100 BPM | ||
Diporti di Euterpe, Op. 7: Lagrime mie | Barbara Strozzi, Paul Beier, Emanuela Galli, Ensemble Galilei | E♭ Minor | 0 | 2A | 105 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 16, La bellina | Tarquinio Merula, L'aura Soave Cremona | C Major | 1 | 8B | 112 BPM | ||
Nana: Duérmente, Niño, Duerme, 1914 (De Falla) | Traditional, Hespèrion XXI, Montserrat Figueras | G Major | 1 | 9B | 131 BPM | ||
Moulinié: Non speri pietà | Étienne Moulinié, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | E Minor | 3 | 9A | 70 BPM | ||
Monteverdi: Madrigals, Book 8: Vago augelletto che cantado vai, SV 156 | Claudio Monteverdi, Christina Pluhar, Zsuzsanna Toth, Lauren Armishaw, Philippe Jaroussky, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, Joao Fernandes | B Minor | 1 | 10A | 78 BPM | ||
Monteverdi: Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Christina Pluhar, Philippe Jaroussky | G Major | 0 | 9B | 134 BPM |
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