"La Gioconda, Titta Ruffo: Act I- " O monumento.. monologo di Barnaba"" by Titta Ruffo was released on November 30, 2010. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 40 in the song's album "Opera for ever new additions". In this album, this song's track order is #11. Based on our statistics, La Gioconda, Titta Ruffo: Act I- " O monumento.. monologo di Barnaba"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Gioconda, Titta Ruffo: Act I- " O monumento.. monologo di Barnaba" by Titta Ruffo having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sonnambula / Act 1: Viva! viva! viva! viva! Amina! | Vincenzo Bellini, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 86 BPM | ||
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Che cosa accadde" (Figaro, Bartolo, Conte, Rosina, Berta, Basilio) | Gioachino Rossini, Maria Callas, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | E♭ Major | 3 | 5B | 87 BPM | ||
Les Pêcheurs de perles: Ce sont eux, les voici! (Zurga, Nadir, Leïla, Nourabad, Chieftains) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | C Minor | 1 | 5A | 72 BPM | ||
Pagliacci, Act I: Prologue: Si puo? Si puo? | Ruggero Leoncavallo, Titta Ruffo, Artist Unknown | B Minor | 3 | 10A | 70 BPM | ||
Bellini: La sonnambula, Act 1: "Viva! Viva Amina!...tutto è gioia, tutto è festa" (Chorus, Lisa, Alessio) | Vincenzo Bellini, Fiorenza Cossotto, Coro Del Teatro Alla Scala Di Milano, Giuseppe Morresi, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | B♭ Major | 1 | 6B | 91 BPM | ||
Adriana Lecouvreur: Act Ii L'anima Ho Stanca | Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | B Minor | 4 | 10A | 101 BPM | ||
L'italiana in Algeri: Atto I. Introduzione. Serenate il mesto ciglio | Gioachino Rossini, La Cetra Vokalensemble Basel, Lilian Farahani, Esther Kuiper, José Coca Loza, Ricardo Seguel, Orchestra Of The 18th Century, Giancarlo Andretta | B Minor | 2 | 10A | 125 BPM | ||
Dio possente, Dio d´amor (Faust) | Titta Ruffo | D Major | 2 | 10B | 131 BPM | ||
Mefistofele, Act III: L'altra notte in fondo al mare | Arrigo Boito, Maria Callas, Philharmonia Orchestra, Tullio Serafin | D Major | 0 | 10B | 78 BPM |
Section: 0.8796813488006592
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