"Symphony No. 5 in B-Flat Major: V. Finale. Vivace" by George Lloyd, BBC Philharmonic was released on March 1, 2024. Symphony No. 5 in B-Flat Major: V. Finale. Vivace appears to be safe for all ages as it is not explicit. The track order of this song in George Lloyd, Albany Symphony Orchestra, BBC Philharmonic's "George Lloyd: The Symphonies Nos. 1-6" album is number 26 out of 29. On top of that, United Kingdom appears to be the country where this track was created. Symphony No. 5 in B-Flat Major: V. Finale. Vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 5 in B-Flat Major: V. Finale. Vivace by George Lloyd, BBC Philharmonic to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: I. Introduction | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
Double Concerto for 2 Violins and String Orchestra: II. Adagio | Royal Scottish National Orchestra, Philip Mann, Sharon Roffman, Vesna Stefanovic-Gruppman, Igor Gruppma, Michael Fine | F Major | 1 | 7B | 93 BPM | ||
Astrognosia: Interludium I | Magne Amdahl, Ingar Bergby, Kork, The Norwegian Radio Orchestra | A♭ Major | 0 | 4B | 77 BPM | ||
Final Circus | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 6 | 9B | 184 BPM | ||
Sucinto | João Marcondes, Camerata Inaugural | F Major | 3 | 7B | 100 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
A Litany, Pt. 1 "Father of Heaven": Allegro dramatico | George Lloyd, Jeremy White, Guildford Choral Society, Philharmonia Orchestra | G Major | 3 | 9B | 131 BPM | ||
Numero de avogadro | Juan Pablo Fernández Ramos | A Minor | 1 | 8A | 99 BPM | ||
La Tragédie de Salomé, Op. 50: I. Prélude | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Capriol Suite: III. Tordion | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM |
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