"Libertà (Arr. for Voice, Piano and Guitar by Jean-Félix Lalanne)" by David Alagna, Roberto Alagna, Jean-Félix Lalanne, Marek Ruszczynski was released on May 3, 2024. The duration of Libertà (Arr. for Voice, Piano and Guitar by Jean-Félix Lalanne) is about 3 minutes long, at 3:07. Based on our data, "Libertà (Arr. for Voice, Piano and Guitar by Jean-Félix Lalanne)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Seigneur". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. Based on our statistics, Libertà (Arr. for Voice, Piano and Guitar by Jean-Félix Lalanne)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Libertà (Arr. for Voice, Piano and Guitar by Jean-Félix Lalanne) by David Alagna, Roberto Alagna, Jean-Félix Lalanne, Marek Ruszczynski having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
Sérénade de Toselli | Tino Rossi | E Major | 3 | 12B | 133 BPM | ||
Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM | ||
Die lustige Witwe / Act III: "Aber dort bin ich zu Hause.." Lippen schweigen | Franz Lehár, Boje Skovhus, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 72 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM | ||
Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM | ||
La fantasia | Anna Netrebko | A Minor | 4 | 8A | 72 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act I: "Der Vogelfänger bin ich ja" | Wolfgang Amadeus Mozart, Laurence Equilbey, Florian Sempey, Insula Orchestra | B Major | 0 | 1B | 135 BPM | ||
Godard: Jocelyn, Op. 100, Act 2: "Cachés dans cet asile" (Jocelyn) | Benjamin Godard, Pene Pati, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM |
Section: 0.5237078666687012
End: 0.5269138813018799