"Mass in B Minor, BWV 232: Kyrie - Kyrie eleison I (Chorus)" by Johann Sebastian Bach, The Sixteen, Harry Christophers was released on March 1, 2006. Since Mass in B Minor, BWV 232: Kyrie - Kyrie eleison I (Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 27 in Bach: Mass In B Minor by Johann Sebastian Bach, The Sixteen, Harry Christophers. In terms of popularity, Mass in B Minor, BWV 232: Kyrie - Kyrie eleison I (Chorus) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in B Minor, BWV 232: Kyrie - Kyrie eleison I (Chorus) by Johann Sebastian Bach, The Sixteen, Harry Christophers is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: Ein deutsches Requiem, Op. 45: IV. "Wie lieblich sind deine Wohnungen" - Live | Johannes Brahms, Concertgebouworkest, Mariss Jansons | E♭ Major | 1 | 5B | 74 BPM | ||
4 Russian Peasant Songs, "Podblyudniye": No. 2. Ovsen' (Ovsen) | Igor Stravinsky, Alexandra Vlasenkova, Lege Artis Chamber Choir, Boris Abalyan | A♭ Major | 0 | 4B | 87 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Matthäuspassion, BWV 244: Kommt, ihr Tochter, helft mir klagen (Chorus I and II) | Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl | E Minor | 1 | 9A | 87 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Arise Lord into Thy Rest | Dobrinka Tabakova, The Sixteen, Julie Cooper, Harry Christophers | C Major | 2 | 8B | 136 BPM | ||
Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 2. Adagio | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | E♭ Minor | 2 | 2A | 77 BPM | ||
Komm süsser Tod, BWV 478 - Arr. for Choir by Knut Nystedt | Johann Sebastian Bach, Ensemble Accentus, Laurence Equilbey | E♭ Major | 0 | 5B | 78 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM |
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