"Wohl wusst´ ich hier sie im Gebet (Tannhäuser)" by Herbert Janssen was released on August 14, 2006. The duration of Wohl wusst´ ich hier sie im Gebet (Tannhäuser) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Wohl wusst´ ich hier sie im Gebet (Tannhäuser)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Herbert Janssen's "Lebendige Vergangenheit - Herbert Janssen" album is number 16 out of 16. Wohl wusst´ ich hier sie im Gebet (Tannhäuser) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wohl wusst´ ich hier sie im Gebet (Tannhäuser) by Herbert Janssen to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhauser: Act III Scene 1: Allmacht'ge Jungfrau! Hor mein Flehen! (Elisabeth, Wolfram) | Richard Wagner, Kirsten Flagstad, Rose Pauly, Maxine Stellman, Eyvind Laholm, John Carter, Mack Harrell, Herbert Janssen, Emanuel List, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Erich Leinsdorf | G Major | 3 | 9B | 103 BPM | ||
Das Wirtshaus | Herbert Janssen, Gerald Moore | E♭ Major | 1 | 5B | 79 BPM | ||
Kapitel 3 - Hänsel und Gretel | Oper für die Kleinsten, Engelbert Humperdinck, Marina Mehlinger, Manja Kloss, Luca Zamperoni, Hans Henrik Wöhler | F Major | 3 | 7B | 105 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Verdi: La traviata, Act 2: "Di Provenza il mar, il suol" (Germont) | Giuseppe Verdi, Maria Callas, Ugo Savarese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | D♭ Major | 1 | 3B | 95 BPM | ||
Tannhauser: Frau Holda kam aus dem Berg hervor | Richard Wagner, Ivar Andrésen, Herbert Janssen, Ruth Jost-Arden, Maria Müller, Sigismund Pilinszky, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Elmendorff | B Minor | 4 | 10A | 78 BPM | ||
La Gioconda: Act III Scene 5: O madre mia, nell'isola fatale (Gioconda) | Amilcare Ponchielli, Andrea Gruber, Marco Berti, Alberto Mastromarino, Carlo Colombara, Ildiko Komlosi, Elisabetta Fiorillo, Francesco Palmieri, Graziano Polidori, Mauro Buffoli, Giovanni Bellavia, Dario Benini, Alessandro Calamai, Coro Dell'Arena Di Verona, Arena of Verona Orchestra, Donato Renzetti | F Major | 2 | 7B | 128 BPM | ||
Hoiho! Hoihohoho! (Götterdämmerung) | Herbert Janssen, London Philharmonic Orchestra, Ludwig Weber | E♭ Major | 5 | 5B | 97 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Alceste, Wq. 44 (Excerpts): Vivre sans toi | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye Norman | G Minor | 2 | 6A | 76 BPM |
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