"Das Wirtshaus" by Herbert Janssen, Gerald Moore was released on September 6, 2006. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Lieder von Franz Schubert in historischen Aufnahmen" album is number 24 out of 41. Das Wirtshaus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Wirtshaus by Herbert Janssen, Gerald Moore to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (b) "Ah! Paresseuse fille qui sommeille encor!" (Choeur, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Le Villi: Act I - Evviva! Evviva! Evviva! | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | C Major | 1 | 8B | 181 BPM | ||
Puccini: Turandot, Act 1: "O giovinetto!" (Crowd, Calaf, White Priest) | Giacomo Puccini, Eugenio Fernandi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Eugenio Fernandi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
Lucia di Lammermoor, Act II: Soffriva nel pianto | Gaetano Donizetti, Zuzana Markova, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 2 | 6B | 152 BPM | ||
Les Pêcheurs de perles: O Dieu Brahma! (Leïla, Fishermen, Villagers, Nadir, Sorceresses) | Georges Bizet, Janine Micheau, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | F Major | 0 | 7B | 65 BPM | ||
Awakenings, Act I, Scene 7: Later that afternoon. Dayroom | Tobias Picker, Aryeh Lev Stollman, Boston Modern Orchestra Project, Gil Rose | B Minor | 2 | 10A | 81 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "La pietade in suo favore" (Enrico, Raimondo, Chorus) | Gaetano Donizetti, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM | ||
Mozart: Così fan tutte, K. 588, Act 1: "Non son cattivo comico" (Don Alfonso) | Wolfgang Amadeus Mozart, Otto Klemperer, Hans Sotin, New Philharmonia Orchestra | E Major | 2 | 12B | 78 BPM | ||
Alle Gingen, Herr, Zur Ruh' | Wilhelm Schäfer, Robert Reinick, Eduard Morike, Paul Heyse, Adam Geibel, Joseph Freiherr von Eichendorff, Johann Wolfgang von Goethe, Michelangelo Rossi, Gerald Moore, Tiana Lemnitz, Marta Fuchs, Herbert Janssen | B Minor | 0 | 10A | 109 BPM |
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