Gioachino Rossini, Juan Oncina, Glyndebourne Festival Orchestra, Vittorio Gui's 'Le Comte Ory, Act II: Act II: Noble chatelaine (Count)' came out on August 1, 2014. Le Comte Ory, Act II: Act II: Noble chatelaine (Count) is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. There are a total of 20 in the song's album "Rossini: Le comte Ory (The Count Ory)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Italy. Based on our statistics, Le Comte Ory, Act II: Act II: Noble chatelaine (Count)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le Comte Ory, Act II: Act II: Noble chatelaine (Count) by Gioachino Rossini, Juan Oncina, Glyndebourne Festival Orchestra, Vittorio Gui having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
Accellerationen Walzer, Op. 234 | Johann Strauss II, Carlos Kleiber, Wiener Philharmoniker | G Major | 1 | 9B | 107 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Carmen (1997 - Remaster), Act I: Avec la garde montante | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 1 | 7A | 122 BPM | ||
Petite messe solennelle: I. Kyrie. Kyrie eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | C Major | 0 | 8B | 116 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Il Barbiere di Siviglia: Alfine eccoci qua - Ah! Qual colpo | Gioachino Rossini, Cesare Sterbini, Giuseppe Valdengo, Giuseppe Di Stefano, Lily Pons, Alberto Erede | F Major | 2 | 7B | 79 BPM | ||
Symphony in C Major: IV. Allegro Vivace | Georges Bizet, New Zealand Symphony Orchestra, Donald Johanos | D Major | 1 | 10B | 134 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | G Major | 3 | 9B | 99 BPM |
Section: 1.010610818862915
End: 1.013913631439209