Dietrich Buxtehude, La Rêveuse, Benjamin Perrot, Sébastien Wonner, Florence Bolton made "Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: II. Allegro. Lento" available on February 3, 2017. With Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: II. Allegro. Lento being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 30 in Dietrich Buxtehude: Sonates en trio – Manuscrits d’Uppsala by La Rêveuse, Benjamin Perrot, Florence Bolton, Sébastien Wonner, Emily Audouin. In terms of popularity, Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: II. Allegro. Lento is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: II. Allegro. Lento by Dietrich Buxtehude, La Rêveuse, Benjamin Perrot, Sébastien Wonner, Florence Bolton is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Litaniae Omnium Sanctorum, ZWV 153: Propitius esto | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM | ||
Messe du deuxième ton: Agnus Dei | André Raison, Henri Dumont, Michael Burnette, Stephen Eggert, David Heller, Jonathan Perry, Scott Shaw, H. Joseph Butler, Frederick Hohman | A♭ Major | 2 | 4B | 59 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
Andante in E Minor (pipe organ) | Giovanni Andrea Fioroni, Pastór de Lasala | D♭ Minor | 0 | 12A | 72 BPM | ||
Gott Hilf Mir, BuxWV 34: Choral "Wer hofft in Gott" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Canon, BuxWV 121 | Dietrich Buxtehude, Bettina Pahn, Ton Koopman, Dorothee Wohlgemuth, Amsterdam Baroque Orchestra | D♭ Major | 2 | 3B | 94 BPM | ||
Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM |
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