- BPM
- 87
- Key
- D♭ Minor
- Camelot
- 12A
Pièces à deux violes du Premier Livre, suite en ré mineur: VII. Menuet (1686) - Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith Information
- Acousticness
- 96%
- Danceability
- 28%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 23%
- Popularity
- 12%
- Loudness
- -18.19 dB
Summary
Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith's 'Pièces à deux violes du Premier Livre, suite en ré mineur: VII. Menuet (1686)' had a release date set for September 27, 2011. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 7 out of 83. Pièces à deux violes du Premier Livre, suite en ré mineur: VII. Menuet (1686) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Pièces à deux violes du Premier Livre, suite en ré mineur: VII. Menuet (1686) BPM
We consider the tempo marking of Pièces à deux violes du Premier Livre, suite en ré mineur: VII. Menuet (1686) by Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
Pièces à deux violes du Premier Livre, suite en ré mineur: VII. Menuet (1686) Key
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | |
 | Gallardas | Rolf Lislevand, Santiago De Murcia | D♭ Minor | 1 | 12A | 78 BPM | |
 | Les Sauvages (Pièces de clavecin, 1728 - Les Indes Galantes) | Jean-Philippe Rameau, Pierre Hantaï, Skip Sempé | A Minor | 1 | 8A | 116 BPM | |
 | Pièces à deux violes du Premier Livre, Suite en sol majeur: IV. Sarabande (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | F♯ Major | 0 | 2B | 169 BPM | |
 | Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | |
 | Anchor che col partire' | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 138 BPM | |
 | Ballet des fous et des estropiés de la cervelle: II. Entrée des demy-fous | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Minor | 3 | 6A | 134 BPM | |
 | Serenata con violini (Sinfonia), Op. 8 | Barbara Strozzi, Ensemble Poïésis | A♭ Minor | 0 | 1A | 97 BPM | |
 | Alcione, Acte II Scène 2: "L’injuste Ciel à mes maux m’abandonne" | Marin Marais, Jordi Savall, Cyril Auvity, Lisandro Abadie, Hasnaa Bennani, Le Concert Des Nations | B♭ Minor | 1 | 3A | 73 BPM | |
 | Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records