Marin Marais, Jordi Savall, Cyril Auvity, Lisandro Abadie, Hasnaa Bennani, Le Concert Des Nations made "Alcione, Acte II Scène 2: "L’injuste Ciel à mes maux m’abandonne"" available on September 24, 2021. The duration of Alcione, Acte II Scène 2: "L’injuste Ciel à mes maux m’abandonne" is about 3 minutes long, at 3:13. Based on our data, "Alcione, Acte II Scène 2: "L’injuste Ciel à mes maux m’abandonne"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marin Marais, Jordi Savall, Le Concert Des Nations's "Marin Marais; Alcione" album is number 3 out of 85. Alcione, Acte II Scène 2: "L’injuste Ciel à mes maux m’abandonne" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Alcione, Acte II Scène 2: "L’injuste Ciel à mes maux m’abandonne" by Marin Marais, Jordi Savall, Cyril Auvity, Lisandro Abadie, Hasnaa Bennani, Le Concert Des Nations to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
1ère suite en la mineur, 5ème livre 1ère partie: Prélude en harpègement | Marin Marais, Jean-Louis Charbonnier, Paul Rousseau, Mauricio Buraglia, Pierre Trocelier | D♭ Major | 1 | 3B | 90 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Doulce Memoire | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 59 BPM | ||
Concerto for 2 Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Enrico Parizzi, Ludovico Minasi, Riccardo-Masahide Minasi, Thomas Boysen, Thor-Harald Johnsen, Valerio Losito, Rolf Lislevand | E♭ Minor | 1 | 2A | 125 BPM | ||
Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Lamento di Tristano (Arr. Klingzeug Barockensemble for Chamber Ensemble) | Anonymous, Klingzeug Barockensemble | A♭ Minor | 0 | 1A | 108 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Mensa sonora / PARS III (In A Minor): 4. Ciacona | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 0 | 1A | 114 BPM |
Section: 0.6916313171386719
End: 0.6959965229034424