Marin Marais, Jean-Louis Charbonnier, Paul Rousseau, Mauricio Buraglia, Pierre Trocelier made "1ère suite en la mineur, 5ème livre 1ère partie: Prélude en harpègement" available on September 15, 1999. With 1ère suite en la mineur, 5ème livre 1ère partie: Prélude en harpègement being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Jean-Louis Charbonnier, Paul Rousseau, Mauricio Buraglia, Pierre Trocelier's "Marais : Pièces de viole, 5ème livre, 1ère partie" album is number 1 out of 54. On top of that, France appears to be the country where this track was created. In terms of popularity, 1ère suite en la mineur, 5ème livre 1ère partie: Prélude en harpègement is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 1ère suite en la mineur, 5ème livre 1ère partie: Prélude en harpègement by Marin Marais, Jean-Louis Charbonnier, Paul Rousseau, Mauricio Buraglia, Pierre Trocelier to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata Sesta in F Major: II. Allemande | Philipp Heinrich Erlebach, L'Achéron, François Joubert-Caillet | F♯ Major | 2 | 2B | 116 BPM | ||
3e livre de viole: Grand Ballet (Extrait du IIIe Livre) | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | A♭ Minor | 0 | 1A | 101 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
The King of Denmarks Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork | E♭ Major | 1 | 5B | 120 BPM | ||
Le Concert Royal de la nuit: Ouverture | Anonymous, Ensemble Correspondances, Sébastien Daucé | B Major | 0 | 1B | 84 BPM | ||
Marche de triomphe, H. 547/1 | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | C Major | 4 | 8B | 99 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VI. La Sylva. Très tendrement | Antoine Forqueray, Jean Rondeau | B Minor | 1 | 10A | 83 BPM | ||
Sing Joyfully (Arr. Pierini for String Quartet) | William Byrd, Delian Quartett | D Major | 0 | 10B | 139 BPM |
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