"Variations for Orchestra, Op. 30" by Anton Webern, Pierre Boulez, London Symphony Orchestra was released on 1977. Since Variations for Orchestra, Op. 30 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 138 in the song's album "Pierre Boulez Edition: Webern, Varese & Berio". In this album, this song's track order is #101. Furthermore, we believe that the track originated from United States. The popularity of Variations for Orchestra, Op. 30 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations for Orchestra, Op. 30 by Anton Webern, Pierre Boulez, London Symphony Orchestra having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Finnish Radio Symphony Orchestra, Nicholas Collon | F Minor | 0 | 4A | 70 BPM | ||
Violin Concerto: III. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | A♭ Major | 2 | 4B | 88 BPM | ||
String Quartet No. 4, Op. 37: I. Allegro molto, energico | Arnold Schoenberg, Gringolts Quartet | C Major | 1 | 8B | 134 BPM | ||
String Quartet No. 1 in C Major, Op. 49: 3. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Minor | 3 | 6A | 121 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
11 Gates: No. 10. Seafloor Meditation (Whispering Mirrors at the Seafloor) | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | F Major | 0 | 7B | 89 BPM | ||
Violin Sonata (version for clarinet and piano): II. Lento | Emma Johnson | E♭ Major | 0 | 5B | 73 BPM | ||
Symphony No.9 In D / 1. Satz: Andante comodo | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 172 BPM | ||
Suite for Violin and Piano, Op. 6: IV. Lullaby: Lento tranquillo | Benjamin Britten, Matthew Jones, Annabel Thwaite | E Minor | 2 | 9A | 123 BPM |
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