Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra made "Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 22, Polonaise" available on January 1, 1974. With this song being about 5 minutes long, at 4:34, "Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 22, Polonaise" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 22, Polonaise is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 22, Polonaise by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 12c, Dance of the Baronesses | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | C Major | 0 | 8B | 122 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM | ||
Raymonda, Act III: Entree | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D♭ Major | 1 | 3B | 68 BPM | ||
Capriccio Espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, George Szell, Cleveland Orchestra | A Major | 3 | 11B | 127 BPM | ||
Tatiana's Bedroom: Apparition of Onegin - Pas De Deux (Onegin Ballet Suite No 11 & 12) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | B Minor | 0 | 10A | 85 BPM | ||
Le Corsaire: Act III - "10. Le Jardin Anime: Coda" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | B Major | 0 | 1B | 70 BPM | ||
Eine Alpensinfonie: IX. Ausklang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 72 BPM | ||
Saint Saens: Le Carnaval des animaux fossiles 생상스 동물의 사육제 중 화석 | 김준영 | E♭ Major | 4 | 5B | 120 BPM | ||
La source, ou Naila: Suite No. 2: Suite No. 2: Pas de la Guzla | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Minor | 0 | 8A | 128 BPM | ||
Symphony No. 6 in D Major, Op. 60: III. Scherzo (Furiant). Presto | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 5 | 9B | 119 BPM |
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