On 1958, the song "Capriccio Espagnol, Op. 34: I. Alborada" was released by Nikolai Rimsky-Korsakov, George Szell, Cleveland Orchestra. With Capriccio Espagnol, Op. 34: I. Alborada being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Szell's "Mussorgsky: Pictures at an Exhibition - Expanded Edition" album is number 16 out of 29. Based on our statistics, Capriccio Espagnol, Op. 34: I. Alborada's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Capriccio Espagnol, Op. 34: I. Alborada by Nikolai Rimsky-Korsakov, George Szell, Cleveland Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Major | 1 | 10B | 100 BPM | ||
Fontane di Roma: I. La fontana di Valle Giulia all'alba | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | C Major | 0 | 8B | 78 BPM | ||
Rachmaninov : Rhapsody on a Theme of Paganini Op.43 : VI Variation 11 | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D Major | 0 | 10B | 108 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | D Minor | 0 | 7A | 54 BPM | ||
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso quasi andantino - Presto ma non assai | Johannes Brahms, David Zinman | G Major | 0 | 9B | 86 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Romeo and Juliet, Op. 64 - Act 2: Folk Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 122 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo. Molto vivace | Frédéric Chopin, Mitsuko Uchida | E Major | 0 | 12B | 74 BPM | ||
Tsarskaya nevesta (The Tsar's Bride): Overture | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM |
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