Serenade: IV. Agathon. Adagio - Leonard Bernstein, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra Information

Acousticness: 73%
Danceability: 6%
Energy: 3%
Instrumentalness: 2%
Liveness: 7%
Loudness: 53%
Speechiness: 5%
Valence: 4%
Popularity: 5%
Loudness: -27.973 dB

Summary

"Serenade: IV. Agathon. Adagio" by Leonard Bernstein, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra was released on 1998. Since Serenade: IV. Agathon. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Beethoven: Violin Concerto in D Minor, Op. 61 - Bernstein: Serenade by Hilary Hahn. Serenade: IV. Agathon. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Serenade: IV. Agathon. Adagio BPM

The tempo marking of Serenade: IV. Agathon. Adagio by Leonard Bernstein, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra is Lento (slowly), since this song has a tempo of 54 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Serenade: IV. Agathon. Adagio Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto	Charles Ives, Hilary Hahn, Valentina Lisitsa	A Minor	1	8A	72 BPM
Walton: Viola Concerto: II. Vivo, e molto preciso	William Walton, David Aaron Carpenter, Vladimir Jurowski, London Philharmonic Orchestra	A Minor	3	8A	134 BPM
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: Allegro non troppo	Camille Saint-Saëns, Mstislav Rostropovich, Carlo Maria Giulini, London Philharmonic Orchestra	A Minor	1	8A	101 BPM
Cello Concerto No. 1 in G Minor, Op. 49: II. Largo, molto espressivo	Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra	B Major	1	1B	89 BPM
Zerreißet, zersprenget, zertrümmert die Gruft Dramma per musica, BWV 205: IX. Aria Soprano: "Angenehmer Zephyrus"	Johann Sebastian Bach, Christine Schäfer, Hilary Hahn, Munich Chamber Orchestra, Alexander Liebreich, Rosario Conte, Kristin von der Goltz, Naoki Kitaya	G Major	1	9B	77 BPM
Violin Concerto in D Major, Op. 61: II. Larghetto	Ludwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra	G Major	0	9B	88 BPM
Symphony No. 2 "The Age of Anxiety", Pt. 2: The Epilogue. L'istesso tempo	Leonard Bernstein, Jean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop	D♭ Major	0	3B	135 BPM
Cello Concerto in D Minor: 2. Intermezzo: Andantino con moto - Allegro presto	Édouard Lalo, Pierre Fournier, Orchestre Lamoureux, Jean Martinon	G Major	1	9B	85 BPM
Sonata for Violin and Piano No. 2 in D Major, Op. 94a: IV. Allegro con brio	Sergei Prokofiev, Gidon Kremer, Martha Argerich	D Major	2	10B	124 BPM
St. Matthew Passion, BWV 244 / Part Two (Arr. Mendelssohn 1841): XXXIX. Aria (Alto): "Erbarme dich"	Johann Sebastian Bach, Christine Schäfer, Hilary Hahn, Munich Chamber Orchestra, Alexander Liebreich, Rosario Conte, Kristin von der Goltz, Naoki Kitaya	E Minor	2	9A	80 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7549614906311035

End: 0.7638404369354248