"Variations on a Nursery Song, Op. 25: Var. 1 (Poco più mosso)" by Ernst von Dohnányi, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult was released on 1954. With Variations on a Nursery Song, Op. 25: Var. 1 (Poco più mosso) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 38 in the song's album "Rachmaninoff: Rhapsody on a theme of Paganini [1954]; Dohnányi: Variations on a Nursery Song [1954] (Adrian Boult – The Decca Legacy III, Vol. 11)". In this album, this song's track order is #27. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Variations on a Nursery Song, Op. 25: Var. 1 (Poco più mosso) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations on a Nursery Song, Op. 25: Var. 1 (Poco più mosso) by Ernst von Dohnányi, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 13, Die Post | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | E Major | 0 | 12B | 115 BPM | ||
Nocturne op. 32 | Louise-Andrée Baril | G Major | 0 | 9B | 83 BPM | ||
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Symphony No. 5 in F Major, Op. 76, B. 54: III. Allegro scherzando | Antonín Dvořák, Karlovy Vary Symphony Orchestra, Radomil Eliška | B♭ Major | 1 | 6B | 123 BPM | ||
Pavana y Gallarda | Carlos Cruz de Castro, Diego Fernández Magdaleno | A Minor | 0 | 8A | 209 BPM | ||
Piano Trio in B Major, Op. 8: II. Scherzo. Allegro molto | Johannes Brahms, Paolo Ghidoni, Marco Perini, Ruggero Ruocco | A Major | 2 | 11B | 109 BPM | ||
Trois pièces: II. Sans vitesse e lʼaise | Nadia Boulanger, Janne Fredens, Søren Rastogi | A Minor | 0 | 8A | 103 BPM | ||
Prelude in G major, Op. 32, No. 5 | Sergei Rachmaninoff, Valentin Magyar | G Major | 0 | 9B | 173 BPM | ||
Piano Quartet No. 2 in G Minor, Op. 45: II. Scherzo (Allegro molto) | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
Abbey Road concerto for Violin and Orchestra: X. Because | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM |
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