"Piano Concerto in A Minor, Op. 54: 1. Allegro affettuoso - Live" by Robert Schumann, Walter Gieseking, Berliner Philharmoniker, Wilhelm Furtwängler was released on September 6, 2019. Piano Concerto in A Minor, Op. 54: 1. Allegro affettuoso - Live appears to be safe for all ages as it is not explicit. This song is part of Wilhelm Furtwängler: Wartime Recordings (Vol. 4) by Wilhelm Furtwängler. The song's track number on the album is #13 out of 74 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Piano Concerto in A Minor, Op. 54: 1. Allegro affettuoso - Live's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Piano Concerto in A Minor, Op. 54: 1. Allegro affettuoso - Live by Robert Schumann, Walter Gieseking, Berliner Philharmoniker, Wilhelm Furtwängler has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Piano Concerto in A Minor, Op. 54: 1. Allegro affettuoso - Live being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872 | Daniel Barenboim | D♭ Major | 0 | 3B | 133 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM |
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