On 1983, the song "III. Allegro assai from Brandenburg Concerto No. 2 in F Major, BWV 1047" was released by Johann Sebastian Bach, Wynton Marsalis, English Chamber Orchestra, Anthony Newman. The duration of III. Allegro assai from Brandenburg Concerto No. 2 in F Major, BWV 1047 is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. III. Allegro assai from Brandenburg Concerto No. 2 in F Major, BWV 1047's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "The Essential Wynton Marsalis". In this album, this song's track order is #9. In terms of popularity, III. Allegro assai from Brandenburg Concerto No. 2 in F Major, BWV 1047 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With III. Allegro assai from Brandenburg Concerto No. 2 in F Major, BWV 1047 by Johann Sebastian Bach, Wynton Marsalis, English Chamber Orchestra, Anthony Newman having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solomon, HWV 67: Arrival of the Queen of Sheba (Allegro) | George Frideric Handel, José-Luis Garcia, English Chamber Orchestra | B♭ Major | 2 | 6B | 109 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia | Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | E Minor | 1 | 9A | 119 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Joseph Haydn, Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | D♭ Minor | 1 | 12A | 84 BPM | ||
The Debutante (Caprice brillant) - Instrumental | Herbert L. Clarke, Wynton Marsalis, Donald Hunsberger, Eastman Wind Ensemble | B♭ Major | 1 | 6B | 80 BPM | ||
Concerto for Oboe & Violin in C Minor, BWV 1060R: I. Allegro | Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl | D Minor | 1 | 7A | 73 BPM | ||
Concerto No. 2 for Solo Trumpet and Strings, MWV IV,13: I. [Allegro] | Johann Melchior Molter, Wynton Marsalis, Raymond Leppard, English Chamber Orchestra | D Major | 2 | 10B | 72 BPM | ||
Montero: Chaconne (after the "Ciaccona" from Bach's "Violin Partita No. 2", BWV 1004): | Gabriela Montero, Johann Sebastian Bach | D Minor | 2 | 7A | 151 BPM | ||
Bach: Concerto in D Major, BWV 972 (after Vivaldi's Violin Concerto in D Major, RV 230): II. Adagio (Arr. for Trumpet) | Johann Sebastian Bach, Alison Balsom | D Major | 1 | 10B | 116 BPM | ||
Marcello, A: Oboe Concerto in C Minor: I. Andante e spiccato (Transc. for Trumpet and Orchestra) | Alessandro Marcello, Sergei Nakariakov, Hugh Wolff, Saint Paul Chamber Orchestra | C Minor | 1 | 5A | 83 BPM |
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