On 1960, the song "Solomon, HWV 67: Arrival of the Queen of Sheba (Allegro)" was released by George Frideric Handel, José-Luis Garcia, English Chamber Orchestra. The duration of Solomon, HWV 67: Arrival of the Queen of Sheba (Allegro) is about 3 minutes long, at 3:19. Based on our data, "Solomon, HWV 67: Arrival of the Queen of Sheba (Allegro)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Pachelbel: Canon; Albinoni: Adagio; Bach: Jesu, Joy of Man's Desiring; more". In this album, this song's track order is #10. In terms of popularity, Solomon, HWV 67: Arrival of the Queen of Sheba (Allegro) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Solomon, HWV 67: Arrival of the Queen of Sheba (Allegro) by George Frideric Handel, José-Luis Garcia, English Chamber Orchestra having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): I. Allegro con spirito | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | C Major | 1 | 8B | 75 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 107 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Vivaldi: Violin Concerto No. 3 in F Major, Op. 8, RV 293, "L'autunno": III. Allegro (from "Il cimento dell'armonia e dell'inventione") | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | C Major | 2 | 8B | 156 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Oboe Concerto in E-Flat Major, Wq. 165, H. 468: II. Adagio ma non troppo | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | C Minor | 1 | 5A | 92 BPM | ||
Bach, J.S.: Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim | D Minor | 3 | 7A | 94 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Jesu, Joy Of Man's Desiring, BWV 147 | Bertalan Hock, Johann Sebastian Bach | G Major | 1 | 9B | 74 BPM |
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