Jacques Offenbach, André Cluytens, André Pernet, Fanély Revoil, Raoul Jobin, Orchestre du Théâtre national de l'Opéra-Comique made "Offenbach: Les contes d'Hoffmann, Act II: "Tu me fuis ? Qu'ai-je fait ?" (Hoffmann, Nicklausse, Coppélius)" available on January 1, 1948. With Offenbach: Les contes d'Hoffmann, Act II: "Tu me fuis ? Qu'ai-je fait ?" (Hoffmann, Nicklausse, Coppélius) being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "Offenbach: Les contes d'Hoffmann". In this album, this song's track order is #23. Furthermore, we believe that the track originated from France. Offenbach: Les contes d'Hoffmann, Act II: "Tu me fuis ? Qu'ai-je fait ?" (Hoffmann, Nicklausse, Coppélius) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Offenbach: Les contes d'Hoffmann, Act II: "Tu me fuis ? Qu'ai-je fait ?" (Hoffmann, Nicklausse, Coppélius) by Jacques Offenbach, André Cluytens, André Pernet, Fanély Revoil, Raoul Jobin, Orchestre du Théâtre national de l'Opéra-Comique having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Offenbach: Les Contes d'Hoffman, Act 2: "Ah! Quoi? L'homme aux lunettes, là!" (Cochenille, Spalanzani, Hoffmann, Coppélius, Nicklausse, Chorus) | Jacques Offenbach, Kent Nagano, Orchestre De L'Opéra National De Lyon, Martin Sauer | C Major | 0 | 8B | 98 BPM | ||
Medley: Strauss Party | Johann Strauss I, Gioachino Rossini, Franz von Suppé, Franz Lehár, Hermann Dostal, Jacques Offenbach, André Rieu, Johann Strauss Orchestra | G Major | 7 | 9B | 106 BPM | ||
Klarinettenkonzert A-Dur, K. 622: 2. Adagio (Jenseits von Afrika): II. Adagio | Wolfgang Amadeus Mozart, David Shifrin, Mostly Mozart Orchestra, Gerard Schwarz | D Major | 0 | 10B | 78 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM |
Section: 0.8119018077850342
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