"Pärt: Tabula rasa: I. Ludus" by Arvo Pärt, Tasmin Little, Richard Studt, Robert Aldwinckle, Bournemouth Sinfonietta was released on May 4, 1994. Pärt: Tabula rasa: I. Ludus appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Pärt - Fratres, etc". In this album, this song's track order is #6. In terms of popularity, Pärt: Tabula rasa: I. Ludus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pärt: Tabula rasa: I. Ludus by Arvo Pärt, Tasmin Little, Richard Studt, Robert Aldwinckle, Bournemouth Sinfonietta having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Como cierva sedienta: V | Arvo Pärt, Swedish Radio Symphony Orchestra, Tõnu Kaljuste, Swedish Radio Choir, Helena Olsson | F Minor | 0 | 4A | 67 BPM | ||
La damoiselle élue, L. 62: Prélude | Claude Debussy, Víkingur Ólafsson | G Major | 1 | 9B | 61 BPM | ||
Miniature No. 7 | Giya Kancheli, Andrea Cortesi, Marco Venturi | F♯ Minor | 0 | 11A | 78 BPM | ||
Preludium c-moll | Hania Rani, Dobrawa Czocher | C Minor | 0 | 5A | 98 BPM | ||
Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) | Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | G Major | 1 | 9B | 69 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 1 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | F Major | 1 | 7B | 114 BPM | ||
Berlin By Overnight | Max Richter, Louisa Fuller | F♯ Major | 3 | 2B | 92 BPM | ||
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
Hymn - 2001 | Valentin Silvestrov, Stuttgart Chamber Orchestra, Thomas Sanderling | B♭ Major | 0 | 6B | 74 BPM | ||
Frozen River Flows | Dobrinka Tabakova, Roman Mints, Raimondas Sviackevičius, Donatas Bagurskas | E♭ Major | 0 | 5B | 135 BPM |
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