"Candide / Act I: 5. It Must Be So" by Leonard Bernstein, Jerry Hadley, London Symphony Orchestra was released on January 1, 1991. The duration of Candide / Act I: 5. It Must Be So is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Candide / Act I: 5. It Must Be So's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Candide / Act I: 5. It Must Be So is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide / Act I: 5. It Must Be So by Leonard Bernstein, Jerry Hadley, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act III, No.20 Trio: Mêlons! Coupons! (Frasquita/Mercédès) | Georges Bizet, Elisabeth Vidal, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Major | 1 | 7B | 120 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 4: No. 26, Scene. Allegro ma non troppo | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 111 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": IV. Finale (Molto vivace) | Sergei Prokofiev, André Previn, London Symphony Orchestra | D Major | 3 | 10B | 77 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, London Symphony Orchestra | D♭ Major | 0 | 3B | 56 BPM | ||
A Quiet Place, Act II: June Twelfth - Live | Leonard Bernstein, Beverly Morgan, Peter Kazaras, Chester Ludgin, John Brandstetter, Vienna Radio Symphony Orchestra | G Major | 1 | 9B | 136 BPM | ||
Messa di Gloria, Op.posth., Gloria: Quoniam tu solus Sanctus | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Major | 2 | 8B | 69 BPM | ||
A Quiet Place / Act 2: There's A Law (From Trouble In Tahiti) - Live From Staatsoper, Vienna / 1986 | Leonard Bernstein, Louise Edeiken, Wendy White, Mark Thomsen, Kurt Ollmann, Edward Crafts, Vocal Ensemble, Vienna Radio Symphony Orchestra | A♭ Major | 0 | 4B | 127 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3: Scene (Allegro - Allegro giusto) | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | F Minor | 2 | 4A | 78 BPM |
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