- BPM
- 134
- Key
- D♭ Major
- Camelot
- 3B
Kapitel 90 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag - David Allen, Jürgen Kalwa Information
- Acousticness
- 63%
- Danceability
- 68%
- Energy
- 17%
- Instrumentalness
- 0%
- Liveness
- 14%
- Loudness
- 59%
- Speechiness
- 93%
- Valence
- 87%
- Popularity
- 0%
- Loudness
- -24.568 dB
Summary
On 2011, the song "Kapitel 90 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" was released by David Allen, Jürgen Kalwa. The duration of Kapitel 90 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:12. Based on our data, "Kapitel 90 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 25 out of 194. Based on our statistics, Kapitel 90 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Kapitel 90 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag BPM
We consider the tempo marking of Kapitel 90 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Kapitel 90 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | |
 | Medea (Medee) (Sung in Italian): Act III: Oh ciel! il vil delitto (Giasone, Chorus, Neris) | Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno | D♭ Major | 3 | 3B | 132 BPM | |
 | Puccini: Turandot , Act 1: "Gira la cote! Gira!" (Crowd, Executioner's men) | Giacomo Puccini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala Di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | |
 | Les Contes d'Hoffmann / Act 2: "C'est moi, Coppélius" | Jacques Offenbach, Gabriel Bacquier, Claudia Eder, Plácido Domingo, Orchestre National De France, Seiji Ozawa | A♭ Major | 0 | 4B | 202 BPM | |
 | Donizetti: Lucia di Lammermoor, Act 1: "Qui di sposa eterna fede...Ah, soltanto il nostro foco" (Edgardo, Lucia) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | |
 | ‘Neath My Lattice Through the Night (The Rose of Persia): ‘Neath My Lattice Through the Night (The Rose of Persia) | Arthur Sullivan, Erin Morley, Gerald Martin Moore, Ransom Wilson | B Major | 1 | 1B | 117 BPM | |
 | Verdi: La traviata, Act 2: "Annina, donde vieni?" (Alfredo, Annina, Violetta) | Giuseppe Verdi, Maria Callas, Francesco Albanese, Ines Marietti, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | C Major | 2 | 8B | 93 BPM | |
| Puccini: Turandot, Act 1: "O giovinetto!" (Crowd, Calaf, White Priest) | Giacomo Puccini, Eugenio Fernandi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Eugenio Fernandi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | |
 | Il barbiere di Siviglia / Act 1: No.8 Aria: "A un dottor della mia sorte" | Gioachino Rossini, Fernando Corena, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E♭ Major | 3 | 5B | 115 BPM | |
 | Puccini: Turandot, Act 3 Scene 1: "Liù ... bontà! Liù ... dolcezza!" (Timur, Ping, Pang, Pong, La Folla) | Giacomo Puccini, Bonaldo Giaiotti, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | D Major | 2 | 10B | 70 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8596217632293701
End: 0.8650338649749756