Giacomo Puccini, Bonaldo Giaiotti, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma's 'Puccini: Turandot, Act 3 Scene 1: "Liù ... bontà! Liù ... dolcezza!" (Timur, Ping, Pang, Pong, La Folla)' came out on 1966. The duration of Puccini: Turandot, Act 3 Scene 1: "Liù ... bontà! Liù ... dolcezza!" (Timur, Ping, Pang, Pong, La Folla) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Puccini: Turandot, Act 3 Scene 1: "Liù ... bontà! Liù ... dolcezza!" (Timur, Ping, Pang, Pong, La Folla)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Puccini: Turandot". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Puccini: Turandot, Act 3 Scene 1: "Liù ... bontà! Liù ... dolcezza!" (Timur, Ping, Pang, Pong, La Folla) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Turandot, Act 3 Scene 1: "Liù ... bontà! Liù ... dolcezza!" (Timur, Ping, Pang, Pong, La Folla) by Giacomo Puccini, Bonaldo Giaiotti, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.13. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | E Major | 1 | 12B | 94 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants | F♯ Minor | 0 | 11A | 80 BPM | ||
I puritani: Qui la voce sua soave | Vincenzo Bellini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will Humburg | A♭ Major | 1 | 4B | 103 BPM | ||
Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM | ||
I puritani / Act 1: "A te, o cara" | Vincenzo Bellini, Juan Diego Flórez, Ermonela Jaho, Nikola Mijailovic, Nicola Ulivieri, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | D Major | 2 | 10B | 76 BPM | ||
Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
Dvorák: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Das Münchner Rundfunkorchester | F♯ Major | 1 | 2B | 81 BPM |
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