Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel made "Harmonia artificioso-ariosa / Partia IV: Sonata. Adagio - Allegro - Adagio" available on January 1, 2004. The duration of Harmonia artificioso-ariosa / Partia IV: Sonata. Adagio - Allegro - Adagio is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Harmonia artificioso-ariosa / Partia IV: Sonata. Adagio - Allegro - Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Based on our statistics, Harmonia artificioso-ariosa / Partia IV: Sonata. Adagio - Allegro - Adagio's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Harmonia artificioso-ariosa / Partia IV: Sonata. Adagio - Allegro - Adagio by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 121 BPM | ||
Trio Sonata in F Major, TWV 42:F6: I. Vivace | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | G Major | 0 | 9B | 119 BPM | ||
Concerto con molti istromenti (Do Maggiore, RV 555): II. Largo e spicato | Antonio Vivaldi, Manfredo Kraemer, Pablo Valetti, Jordi Savall, Imke David, Michael Behringer, Pierre Hamon, Sebastian Marq, Diego Montes, René Maze, Alfredo Bernardini, Le Concert Des Nations | B Major | 2 | 1B | 168 BPM | ||
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 78 BPM | ||
Trio Sonata in G Minor, RV 85: II. Larghetto | Antonio Vivaldi, Roy Goodman, The Parley of Instruments, Paul O'Dette | D♭ Minor | 2 | 12A | 135 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VI. Minuet | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 85 BPM | ||
The Fairy Queen, Z. 629: Hornpipe | Henry Purcell, Les Nouveaux Caractères, Sébastien d'Hérin | G Major | 1 | 9B | 118 BPM | ||
Euridice: Sinfonia | Giulio Caccini, Rinaldo Alessandrini, Concerto Italiano | G Major | 2 | 9B | 79 BPM | ||
Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM |
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