"Schilflied, Op. 71, No. 4 (Transcr. for Cello and Piano by Mischa Maisky)" by Felix Mendelssohn, Mischa Maisky, Sergio Tiempo had its release date on January 1, 2002. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Schilflied, Op. 71, No. 4 (Transcr. for Cello and Piano by Mischa Maisky)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Mischa Maisky, Sergio Tiempo's "Mendelssohn: Cello Sonatas; Songs without Words" album is number 16 out of 23. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Schilflied, Op. 71, No. 4 (Transcr. for Cello and Piano by Mischa Maisky) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Schilflied, Op. 71, No. 4 (Transcr. for Cello and Piano by Mischa Maisky) by Felix Mendelssohn, Mischa Maisky, Sergio Tiempo to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da Gamba Sonata No. 2 in D Major, BWV 1028: I. Adagio | Johann Sebastian Bach, Mischa Maisky, Martha Argerich | D Major | 0 | 10B | 64 BPM | ||
Romance in F Major, Op. 36, R. 195 | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 0 | 7B | 75 BPM | ||
Sonata for Violin and Piano No. 2 in D Major, Op. 94a: II. Scherzo (Presto) | Sergei Prokofiev, Gidon Kremer, Martha Argerich | D Major | 2 | 10B | 147 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Etude in F Major, Op. 72, No. 6 | Moritz Moszkowski, Vladimir Horowitz | F Major | 0 | 7B | 133 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Sonata for Violin and Piano in A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | César Franck, Kaja Danczowska, Krystian Zimerman | D Major | 0 | 10B | 84 BPM | ||
6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: I. Carattere Espagnuolo | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | G Major | 1 | 9B | 107 BPM | ||
Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 0 | 10B | 83 BPM | ||
12 German Dances, D790: No.6 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM |