Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Pierre Monteux's 'Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet)' came out on 1962. With this song being about 5 minutes long, at 5:24, "Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet)" by Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Pierre Monteux is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Tchaikovsky: Swan Lake (Highlights)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Swan Lake, Op.20, TH.12 / Act 1: No.2 Valse (Corps de Ballet) by Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Pierre Monteux having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade, Op. 35: The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, London Symphony Orchestra, Erich Gruenberg, Leopold Stokowski | G Major | 2 | 9B | 88 BPM | ||
Symphony No. 8 In B Minor, D.759 - "Unfinished": 2. Andante con moto | Franz Schubert, Royal Concertgebouw Orchestra, Pierre Monteux | E Major | 0 | 12B | 77 BPM | ||
Symphony No. 2: III. Adagio | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | A Major | 0 | 11B | 70 BPM | ||
Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM | ||
La bayadère, Act II: "Variazione Gamzatti" | Silvano Belfiore | A♭ Major | 4 | 4B | 86 BPM | ||
Hungarian Rhapsody No.2 in D minor, S.359 No.2 | Franz Liszt, London Symphony Orchestra, Antal Doráti | C Major | 2 | 8B | 74 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 28, Scene. Allegro agitato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A♭ Minor | 2 | 1A | 76 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM |
Section: 0.5218734741210938
End: 0.527228832244873