Don Giovanni, K.527 / Act 1: "In questa forma dunque" - Wolfgang Amadeus Mozart, Martina Arroyo, Orchestra Of The National Theatre Prague, Karl Böhm Information

Acousticness: 98%
Danceability: 69%
Energy: 13%
Instrumentalness: 0%
Liveness: 14%
Loudness: 58%
Speechiness: 33%
Valence: 15%
Popularity: 0%
Loudness: -25.082 dB

Summary

"Don Giovanni, K.527 / Act 1: "In questa forma dunque"" by Wolfgang Amadeus Mozart, Martina Arroyo, Orchestra Of The National Theatre Prague, Karl Böhm was released on August 1, 1967. With Don Giovanni, K.527 / Act 1: "In questa forma dunque" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Orchestre du Théatre National de Prague, Karl Böhm's "Mozart: Don Giovanni" album is number 11 out of 63. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Don Giovanni, K.527 / Act 1: "In questa forma dunque" is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.

Don Giovanni, K.527 / Act 1: "In questa forma dunque" BPM

We consider the tempo marking of Don Giovanni, K.527 / Act 1: "In questa forma dunque" by Wolfgang Amadeus Mozart, Martina Arroyo, Orchestra Of The National Theatre Prague, Karl Böhm to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Don Giovanni, K.527 / Act 1: "In questa forma dunque" Key

The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia	Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi	E♭ Major	2	5B	49 BPM
Kol Nidrei - Adagio For Cello, Opus 47	Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim	D Major	1	10B	81 BPM
Oboe Quartet in F Major, K. 370: II. Adagio	Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane	D Minor	0	7A	84 BPM
Goldberg Variations, BWV 988: Var. 1	Johann Sebastian Bach, Murray Perahia	G Major	3	9B	106 BPM
Ouverture in D Major, "Darmstadt": Harlequinade	Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl	D♭ Major	1	3B	174 BPM
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	D Major	1	10B	119 BPM
Violin Concerto No. 10 in G Major: Largo	Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon	D Major	1	10B	186 BPM
Der Stein der Weisen, Act I: Chorus and Solo. Welch reizende Musik	Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Karyl Ryczek, Roberta Anderson, Sabrina Learman, Gail Abbey, Sharon Baker	E♭ Major	2	5B	77 BPM
Piano Quartet No. 1 in G Minor, K. 478: II. Andante	Wolfgang Amadeus Mozart, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma	B♭ Major	0	6B	67 BPM
Overture in D Minor, TWV 55:2: Rondeau	Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire	D Minor	1	7A	83 BPM

ISRC: DEF056730034
Label: L-M Records/RCA Records

Section: 0.7961075305938721

End: 0.801555871963501