Johann Sebastian Bach, András Schiff made "Prelude and Fugue in E minor (WTK, Book I, No.10), BWV 855" available on January 1, 1984. The duration of Prelude and Fugue in E minor (WTK, Book I, No.10), BWV 855 is about 3 minutes long, at 3:18. Based on our data, "Prelude and Fugue in E minor (WTK, Book I, No.10), BWV 855" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 24 in Bach, J.S.: Das Wohltemperierte Klavier I by Johann Sebastian Bach, András Schiff. In terms of popularity, Prelude and Fugue in E minor (WTK, Book I, No.10), BWV 855 is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Prelude and Fugue in E minor (WTK, Book I, No.10), BWV 855 by Johann Sebastian Bach, András Schiff is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, "The Harmonious Blacksmith" (from "Suites de Pièces pour le Clavecin I", 1720) - 1996 Digital Remaster | George Frideric Handel, Sviatoslav Richter | E Major | 0 | 12B | 144 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 3. Fuga (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 3 | 8B | 103 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
La Couperin (21e ordre) | François Couperin, Alexandre Tharaud | E Minor | 1 | 9A | 118 BPM | ||
Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM | ||
Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prelude | Johann Sebastian Bach, Park Kyuhee | B♭ Major | 1 | 6B | 102 BPM | ||
St. John Passion, BWV 245, Pt. 1: No. 10, Derselbige Jünger war dem Hohenpriester bekannt | Johann Sebastian Bach, Georg Poplutz, Yorck Felix Speer, Victoria Braum, Daniel Sans, Erik Reinhardt, Mainz Bach Orchestra, Hille Perl, Joachim Held, Sabine Bauer, Petra Morath-Pusinelli, Ralf Otto | F Minor | 1 | 4A | 111 BPM |
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