Johann Sebastian Bach, Park Kyuhee's 'Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prelude' came out on April 24, 2024. The duration of Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prelude is about 3 minutes long, at 3:00. Based on our data, "Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prelude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 8 in BACH by Johann Sebastian Bach, Park Kyuhee. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prelude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prelude by Johann Sebastian Bach, Park Kyuhee is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music: Prelude In E Flat Minor - The Well-tempered Clavier, Book I | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | A♭ Minor | 0 | 1A | 139 BPM | ||
Dos Brisas de Abril: I. en la Mañana | Laura Verdugo del Rey | E Minor | 1 | 9A | 98 BPM | ||
Studio Op.50 N.1 - Andantino | Mauro Giuliani, Lucio Matarazzo | C Major | 0 | 8B | 106 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 14 in D Minor | Fernando Sor, Timo Korhonen | A Minor | 0 | 8A | 112 BPM | ||
Chovendo na Roseira (Double Rainbow) | Duo Tandem | E Minor | 1 | 9A | 129 BPM | ||
3 Miles Sketches Interludio | Alfredo da Rocha Riana, Robert O'Connor Miller, Simone Iannarelli | G Major | 0 | 9B | 100 BPM | ||
California Suite: I. Preludio | José Maria Gallardo del Rey, Boris Tesic | A Major | 1 | 11B | 158 BPM | ||
25 Etudes, Op.60: No.13 | Matteo Carcassi, Paco Hallak | A Major | 2 | 11B | 84 BPM | ||
Santana: Europa "Earth's Cry, Heaven's Smile" (arr. Raymond) | Carlos Santana, Tariq Harb | E Minor | 2 | 9A | 113 BPM | ||
Allemanda | Malcolm Ramsden | F Major | 3 | 7B | 121 BPM |
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