"St. John Passion, BWV 245, Pt. 1: No. 10, Derselbige Jünger war dem Hohenpriester bekannt" by Johann Sebastian Bach, Georg Poplutz, Yorck Felix Speer, Victoria Braum, Daniel Sans, Erik Reinhardt, Mainz Bach Orchestra, Hille Perl, Joachim Held, Sabine Bauer, Petra Morath-Pusinelli, Ralf Otto was released on February 9, 2018. The duration of St. John Passion, BWV 245, Pt. 1: No. 10, Derselbige Jünger war dem Hohenpriester bekannt is about 3 minutes long, at 3:02. Based on our data, "St. John Passion, BWV 245, Pt. 1: No. 10, Derselbige Jünger war dem Hohenpriester bekannt" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 45 in Bach: St. John Passion, BWV 245 (1749 Version) by Johann Sebastian Bach, Ralf Otto, Mainz Bach Choir, Mainz Bach Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, St. John Passion, BWV 245, Pt. 1: No. 10, Derselbige Jünger war dem Hohenpriester bekannt is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. John Passion, BWV 245, Pt. 1: No. 10, Derselbige Jünger war dem Hohenpriester bekannt by Johann Sebastian Bach, Georg Poplutz, Yorck Felix Speer, Victoria Braum, Daniel Sans, Erik Reinhardt, Mainz Bach Orchestra, Hille Perl, Joachim Held, Sabine Bauer, Petra Morath-Pusinelli, Ralf Otto is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Flute Concerto in D Minor, QV 5:81: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | E♭ Major | 0 | 5B | 134 BPM | ||
Flute Concerto No. 1 in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | D Major | 2 | 10B | 112 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
The Art of Fugue, BWV 1080 - Edition prepared by Sir Neville Marriner & Andrew Davis: Contrapunctus 9 a 4 alla Duodecima | Johann Sebastian Bach, Carmel Kaine, Malcolm Latchem, Stephen Shingles, Neil Black, Tess Miller, Celia Nicklin, Cecil James, Kenneth Heath, John Gray, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 3 | 7A | 94 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM |
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