Anonymous, Ensemble Apotropaïk, Clémence Niclas, Louise Bouedo, Marie-Domitille Murez, Clément Stagnol's 'Medée fu en amer veritable (Codex Chantilly, fin XIVe siècle-déb. XVe siècle, Chantilly, Musée Condé, MS 564)' came out on October 31, 2023. Since Medée fu en amer veritable (Codex Chantilly, fin XIVe siècle-déb. XVe siècle, Chantilly, Musée Condé, MS 564) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 13 in Bella Donna by Ensemble Apotropaïk. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Medée fu en amer veritable (Codex Chantilly, fin XIVe siècle-déb. XVe siècle, Chantilly, Musée Condé, MS 564) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Medée fu en amer veritable (Codex Chantilly, fin XIVe siècle-déb. XVe siècle, Chantilly, Musée Condé, MS 564) by Anonymous, Ensemble Apotropaïk, Clémence Niclas, Louise Bouedo, Marie-Domitille Murez, Clément Stagnol is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
Triswiatoje | St. Peter St. Paul Cathedral Choir of Minsk | E♭ Minor | 1 | 2A | 106 BPM | ||
Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM | ||
Missa Wellensis: IV. Agnus Dei | John Tavener, Wells Cathedral Choir, Matthew Owens | G Minor | 0 | 6A | 0 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
La Messe: Alleluia "Assumpta est Maria" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | E♭ Major | 1 | 5B | 130 BPM | ||
Regina Mundi | Monks Of The Abbey Of Notre Dame | B Major | 1 | 1B | 133 BPM | ||
Laudemus Virginem | Jordi Savall | E Minor | 3 | 9A | 127 BPM | ||
We Praise Thee, O God No. 2 in F Major | Lege Artis Chamber Choir, Boris Abalyan | F♯ Minor | 1 | 11A | 133 BPM | ||
Pax Aeterna | Monks Of The Abbey Of Notre Dame | A♭ Major | 1 | 4B | 81 BPM |
Section: 0.4919164180755615
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