"Down Longford Way (Arr. P. Grainger & L. Osmon)" by Percy Grainger, Katharine Parker, Leroy Osmon, North Texas Wind Symphony, Eugene Migliaro Corporon was released on January 1, 2006. The duration of Down Longford Way (Arr. P. Grainger & L. Osmon) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Down Longford Way (Arr. P. Grainger & L. Osmon)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 29 in Composer's Collection: Percy Aldridge Grainger by Percy Grainger, North Texas Wind Symphony, Eugene Migliaro Corporon. Based on our statistics, Down Longford Way (Arr. P. Grainger & L. Osmon)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Down Longford Way (Arr. P. Grainger & L. Osmon) by Percy Grainger, Katharine Parker, Leroy Osmon, North Texas Wind Symphony, Eugene Migliaro Corporon is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM | ||
Wine-Dark Sea (Symphony for Band): I. Hubris | John Mackey, The University of Texas Wind Ensemble, Jerry Junkin | B♭ Minor | 1 | 3A | 81 BPM | ||
Hornpipe - Arr. Percy Grainger | George Frideric Handel, Percy Grainger, Leslie Howard | D♭ Minor | 3 | 12A | 169 BPM | ||
Tuba Concerto in F Minor: I. Prelude | Ralph Vaughan Williams, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | B♭ Minor | 2 | 3A | 75 BPM | ||
Montgomery Variations: Montgomery Variations: I. Decision | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 1 | 7A | 82 BPM | ||
English Dances, Set 1, Op. 27 (Arr M. Johnstone): I. Andantino | Malcolm Arnold, Maurice Johnstone, Dallas Wind Symphony, Jerry Junkin | B♭ Major | 0 | 6B | 109 BPM | ||
2nd Suite for Military Band in F Major, Op. 28 No. 2, H. 106: I. March | Gustav Holst, Dallas Wind Symphony, Howard Dunn | F Major | 1 | 7B | 130 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
Symphony No. 1, "Afro-American": IV. Aspiration (Lento, con risoluzione) | William Grant Still, Fort Smith Symphony, John Jeter | F♯ Major | 0 | 2B | 141 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM |
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