Down Longford Way (Arr. P. Grainger & L. Osmon)
Percy Grainger, Katharine Parker, Leroy Osmon, North Texas Wind Symphony, Eugene Migliaro Corporon
Composer's Collection: Percy Aldridge Grainger
2:53 January 1, 2006
BPM
131
Key
E♭ Major
Camelot
5B

Embed

Share Link

Down Longford Way (Arr. P. Grainger & L. Osmon) - Percy Grainger, Katharine Parker, Leroy Osmon, North Texas Wind Symphony, Eugene Migliaro Corporon Information

Acousticness
99%
Danceability
16%
Energy
6%
Instrumentalness
93%
Liveness
12%
Loudness
66%
Speechiness
4%
Valence
4%
Popularity
Loudness
-20.567 dB

Summary

"Down Longford Way (Arr. P. Grainger & L. Osmon)" by Percy Grainger, Katharine Parker, Leroy Osmon, North Texas Wind Symphony, Eugene Migliaro Corporon was released on January 1, 2006. The duration of Down Longford Way (Arr. P. Grainger & L. Osmon) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Down Longford Way (Arr. P. Grainger & L. Osmon)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 29 in Composer's Collection: Percy Aldridge Grainger by Percy Grainger, North Texas Wind Symphony, Eugene Migliaro Corporon. Based on our statistics, Down Longford Way (Arr. P. Grainger & L. Osmon)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Down Longford Way (Arr. P. Grainger & L. Osmon) BPM

The tempo marking of Down Longford Way (Arr. P. Grainger & L. Osmon) by Percy Grainger, Katharine Parker, Leroy Osmon, North Texas Wind Symphony, Eugene Migliaro Corporon is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.

Down Longford Way (Arr. P. Grainger & L. Osmon) Key

This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Scheherazade, Op. 35: III. Andantino quasi allegretto Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess"Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence RockG Major19B97 BPM
Wine-Dark Sea (Symphony for Band): I. Hubris by John Mackey, The University of Texas Wind Ensemble, Jerry JunkinWine-Dark Sea (Symphony for Band): I. HubrisJohn Mackey, The University of Texas Wind Ensemble, Jerry JunkinB♭ Minor13A81 BPM
Hornpipe - Arr. Percy Grainger by George Frideric Handel, Percy Grainger, Leslie HowardHornpipe - Arr. Percy GraingerGeorge Frideric Handel, Percy Grainger, Leslie HowardD♭ Minor312A169 BPM
Tuba Concerto in F Minor: I. Prelude by Ralph Vaughan Williams, James Gourlay, Royal Ballet Sinfonia, Gavin SutherlandTuba Concerto in F Minor: I. PreludeRalph Vaughan Williams, James Gourlay, Royal Ballet Sinfonia, Gavin SutherlandB♭ Minor23A75 BPM
Montgomery Variations: Montgomery Variations: I. Decision by Margaret Bonds, Kellen Gray, Royal Scottish National OrchestraMontgomery Variations: Montgomery Variations: I. DecisionMargaret Bonds, Kellen Gray, Royal Scottish National OrchestraD Minor17A82 BPM
English Dances, Set 1, Op. 27 (Arr M. Johnstone): I. Andantino by Malcolm Arnold, Maurice Johnstone, Dallas Wind Symphony, Jerry JunkinEnglish Dances, Set 1, Op. 27 (Arr M. Johnstone): I. AndantinoMalcolm Arnold, Maurice Johnstone, Dallas Wind Symphony, Jerry JunkinB♭ Major06B109 BPM
2nd Suite for Military Band in F Major, Op. 28 No. 2, H. 106: I. March by Gustav Holst, Dallas Wind Symphony, Howard Dunn2nd Suite for Military Band in F Major, Op. 28 No. 2, H. 106: I. MarchGustav Holst, Dallas Wind Symphony, Howard DunnF Major17B130 BPM
Appalachian Spring: VII. Doppio movimento by Aaron Copland, Leonard Bernstein, New York PhilharmonicAppalachian Spring: VII. Doppio movimentoAaron Copland, Leonard Bernstein, New York PhilharmonicD♭ Major13B78 BPM
Symphony No. 1, Symphony No. 1, "Afro-American": IV. Aspiration (Lento, con risoluzione)William Grant Still, Fort Smith Symphony, John JeterF♯ Major02B141 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro by Dmitri Shostakovich, I Musici de Montréal, Maxim ShostakovichPiano Concerto No. 2 in F Major, Op. 102: I. AllegroDmitri Shostakovich, I Musici de Montréal, Maxim ShostakovichB♭ Major36B160 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7847559452056885

End: 0.7885968685150146