Giacomo Puccini, London Philharmonic Orchestra, Zubin Mehta's 'Turandot / Act 2: Introduzione (Scene 2)' came out on September 1, 1973. With Turandot / Act 2: Introduzione (Scene 2) being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Puccini: Turandot". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Turandot / Act 2: Introduzione (Scene 2) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Turandot / Act 2: Introduzione (Scene 2) by Giacomo Puccini, London Philharmonic Orchestra, Zubin Mehta having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | ||
Turandot / Act 1: La grazia, Principessa! - O divina bellezza (Coro / Calaf) | Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Major | 2 | 1B | 82 BPM | ||
Holst: The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, Sir Adrian Boult, Geoffrey Mitchell Choir, London Philharmonic Orchestra | A♭ Minor | 0 | 1A | 81 BPM | ||
FOR YOU - 『水の旅人-侍 Kids』より | Joe Hisaishi, London Philharmonic Orchestra | D Major | 2 | 10B | 81 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
Aida: Overture | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | D Major | 0 | 10B | 83 BPM | ||
Carmen (1997 - Remaster), Act I: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Major | 0 | 9B | 114 BPM | ||
Scheherazade - Symphonic Suite Op. 35: IV. The Festival of Baghdad - The Sea - The ship goes to pieces on a rock surmounted by a bronze warrior | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Stephen Bryant, Takuo Yuasa | A Minor | 1 | 8A | 90 BPM | ||
The Planets, op.32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, London Philharmonic Orchestra, Bernard Haitink | G Minor | 3 | 6A | 135 BPM | ||
Pagliacci / Act 1: "I zampognari!" | Ruggero Leoncavallo, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 2 | 8B | 122 BPM |
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